|Series:||Laurel and Hardy||♦||Distribution:||MGM||♦||Director:||Lloyd French||♦||Cinematography:||Art Lloyd|
|Production:||L-15||♦||Type:||Sound short||♦||Producer:||Hal Roach||♦||Editor:||Bert Jordan|
|Released:||07 October 1933||♦||Length:||2-reels||♦||♦||Sound recording:||James Greene|
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|.......||Stan and Ollie are driving to work on a glorious sunny morning. Stan turns on the radio as Ollie remarks on how bright Stan looks this morning. It takes a few seconds to sink in until Stan eventually realises what Ollie has said, before scratching his head in confusion. Shortly after Ollie stops the car so that Stan can get out and change the record over, which has finished playing. Stan flicks through the three other records he has and changes the tune before the boys head back off down the road.
After a few establishing shots of a working mill, Stan and Ollie arrive at work. Ollie decides to have some fun with a fellow employee (Charlie Hall) who is gathering some planks of wood. Ollie sneaks up behind him in the car and honks his horn, causing poor Charlie to drop everything. Although he tells Ollie off, Ollie laughs it off as a practical joke. As the boys walk into their warehouse they are momentarily distracted by another employee who asks if Ollie has a match, to which Ollie replies that he doesn't smoke. This distraction is enough to send Ollie face-first into a plank of wood that two men are carrying through the building after he turns around. Stan manages to avoid contact the first time, but then both men are floored after Stan goes to help Ollie up off the ground.
|Stan walks into the workshop as Ollie retracts to pick up his lunchbox which has been left on the floor outside, but clumsily walks into another plank on his return. Stan meanwhile is looking for a place to hang his hat and grabs a large nail and proceeds to hammer it into the wall. By the damnest piece of bad luck he happens to go straight through a water pipe on the other side. Even then Stan doesn't get to hang his hat on the nail... Ollie pushes him aside and places his jacket on it before it falls off from the spurt of water that shoots through the wall into his face. So how do you plug up a hole in the wall that is leaking water? Ollie hammers another nail into the same spot, which somehow plugs the gap. The last blow of the hammer dislodges a big saw disc on the wall down onto his head.
When they do eventually get start work Ollie has trouble with a wooden window frame he is building and asks for Stan's assistance. After a few hits on the frame with the hammer Stan thinks he has done enough and walks off leaving Ollie's hands locked in opposite corners. Ollie calls him back and asks for Stan to "open the window". It's pretty obvious which window Stan opens. Ollie tells him off for being ignorant. Stan lends further assistance in trying to help free his pal from the window frame he has gotten himself stuck in. After a few pushes and shoves on the wood Stan gets himself stuck in the frame too! An impatient Ollie tells Stan to stop messing around and get him out of the predicament he is in. After a short while an increasingly-agitated Ollie asks what Stan is doing, to which he replies that he is trying to look at the blueprints of the window to see how to free him. An exasperated Ollie tells him that he is looking at the blueprints of the Boulder Dam!
Stan turns the window frame on its side and continues to work on freeing Ollie from its wooden clutches, but it's no use. Another 45 degree turn and some more force and the two of them end up crashing onto Charlie Hall who is passing through the workshop. Thinking that it was deliberate after their earlier encounter Charlie takes a swing at Ollie which is returned by Stan. Charlie returns the favour before Stan lands a sucker punch back. This continues until Stan swings for Charlie, misses, and whacks Ollie. This earns him the praise of Charlie, who tells Stan that he likes him because he has a kind face. A delighted Stan then offers Charlie a cigar, and offers for him to get comfortable. All the while Ollie is looking bewildered. Even the viewer is left puzzled as to what he is up to? But it all becomes clear when Stan whistles over to the foreman (Tiny Sandford) to now bring to his attention that Charlie is smoking in a strictly "no smoking" area. The double-cross is complete.
|.......||The boys return to work with Stan planing a plank of wood as Ollie leans over the workbench and has his rear-end interfered with by Stan's lack of concentration. Stan peels the strip of Ollie's pants from the tool and politely glues it back on, little realising this has lit the fuse for what is about to follow.... Ollie picks up a saw and whacks poor Stan over the head. Stan retaliates by shoving a glue-filled paintbrush into Ollie's chin and shoving him into the wall! We next see an emotion-less Ollie slumped in the corner with a bucket on his head and a paintbrush on his chin as Stan has at least the decency to come over to check on him. A co-worker appears at the window and asks Stan to put his coat in the closet for him. Stan obliges and slams the door into Ollie's face; Ollie slams it shut on Stan but causes a pot to fall on his head; then Stan opens the foor again into Ollie's face. The man is really getting knocked about here!
Stan takes Ollie by the brush and leads him over to the workbench where he tries to free him from the embarrassing addition to his face. Despite the use of a vise and a large pair of clippers Stan is unable to relieve Ollie of the beard. He does, however, relieve him of his tie! Not wanting to be defeated, Stan directs Ollie to a stool and tries to shave the bristles off his face by using soapy water and a planing tool. It looks rough and uncomfortable to say the least, not to mention the sound effect which resembles somebody ripping up some sandpaper! After Stan has finished molesting Ollie's face with the plane he returns to the tap and turns it on. Of course, Ollie is still holding the hosepipe up in the direction of his face and well... that is enough for him to yank the whole sink out of the wall before falling backwards through the floor and down the conveyor belt. Ollie travels through a tight watershute at speed suffering further indignities and a generally unpleasant journey until he is ejected at the other end where he becomes lodged in the vent. Stan erects a ladder and climbs up to inform Ollie that he had dropped his hat and so gives it back to him.
Back in the workshop a fellow employee (Jack Hill) is observing the damage and rolls a barrel of shellac into the open gap in the floor caused by Ollie's mass. The barrel dislodges Ollie and together with Stan they fall from the ladder straight into a wooden shack in the yard, as foreman Sandford takes cover and employee Hall falls into a vat of white paint. When the dust clears the boys hurredly make their way to their car to avoid an altercation with the foreman but then drive it straight through the middle of a bandsaw.
It has to be the set-up. Charlie Hall has hit Ollie for falling on him in the workshop. Stan hits Charlie back, who returns the favour. Eventually Stan accidentally hits Ollie after swinging for Charlie, earning him the thanks from his intended victim. The two men (Stan and Charlie) make up, and Stan offers him a cigar, a lighted match and a comfy stool to sit on whilst Ollie (and us) looks totally bewildered. The full scope of what Stan has done is realised when he calls over the beefy foreman (Tiny Sandford) and points Charlie out for smoking in a "No Smoking" area. Pure genius.
• Production L-15 - Laurel and Hardy series.
• Copyrighted September 16, 1933.
• July 15-25, 1933.
• The music playing in the car at the beginning is "Smile When The Raindrops Fall" - a song made famous by Charley Chase in his own series of films in the early 1930s.
• The opening titles are interchanged with the use of a rotating circular saw.
• In the opening scene as Ollie is driving the car, in the background (on the right of the screen) one car pulls out of a turning as another reverses into his driveway. A little further down the road and some people can be seen standing on the left hand side of the road.
• As the boys drive their car to work, both men are wearing gloves.
• When Stan gets out of the car (which Ollie parks up in the middle of the road) to change the record, look at the sewn-up rip in the back of his jacket.
• The insignia plate on the record player on the car reads; "Zon-o-phone - Universal Talking Machine Mfg. Co. New York, USA."
• Don't you just love how the people in the workplace step over Ollie just so they can carry on walking with the planks of wood rather than helping a fellow colleague up off the floor?
• When Ollie attempts to plug the water coming through the wall he hammers the nail nine times (well he doesn't actually connect every time).
• Among the signs on the wall in the workshop there are:-
-"No Tools To Loan, Don't Ask"
-"Millsmen Only To Operate Shop Machines",
-"Notice: Report All Tools Used To Stock Room".
• After Ollie asks Stan "would you mind opening the window" Stan walks over to the window and opens it. The large circular saw piece which earlier fell on Ollie's head can be seen back on the wall high up on the left of the frame.
• Notice how when Stan re-attaches the strip from Ollie's pants with the glued-on piece he looks away whilst doing it, as if to show his friend some dignity.
• The fire extinguisher seen next to Ollie when he is slumped in the corner reads: "Alert, Fire Extinguisher".
• The vise on the workbench was made in Aurora, Illinois.
• When Ollie yanks the sink out of the wall there is a visible line which connects it to an off-camera operator.
• The boys work at "The National Lumber Company".
• The barrel of shellac kicked into the shute by Jack Hill reads "E. Young & Co. Shellac New York NY".
• When the boys fall from the ladder the shot we see does not correspond with the previous position in which Ollie was situated. Such a fall would have resulted in Ollie's head falling face-down and Stan would have fallen backwards.
• When the bandsaw cuts the car in half it is Ollie who keeps his balance the longer.
• The final scene where despite the loss of their vehicle Stan still manages to find some comfort that the gramophone works is similar to when he recovers the horn from the wreck of their car at the end of Towed In A Hole.
What the experts say
• "Laurel and Hardy on top form." ~ Lord Heath.
Man who asks for match
|SHOT ON THE LOT
The following scenes were filmed on the Hal Roach Back Lot and are included in the TOUR
|This page was last updated on: 07 October 2017|